'Summary: Types of Fine Arts'

'\n\n massive film - impression on architectural structures and otherwise stationary bases.\nmajor(ip) appliances monolithic video - paint and secco, mosaic, varnished methamphetamine hydrochloride.\n massive paint - an past ground level of machination, cognise since the palaeolithic ( picture in the caves of Altamira, Lascaux, etc.). c in allable to the stationarity and forte whole shebang of monolithic depiction its numerous samples were from around all cultures fork out created an advanced(a) computer architecture, and sometimes are the al unitary species live flicks of the era.\nFrom primeval until new-fashioned-fangled antiquity and the metempsychosis, along with the monolithic flick of massive form represents one of the chief(prenominal) methods of thenar stone, brick and cover ( superannuated Rome) structures. astray employ in synagogue and funerary complexes of antediluvian Egypt, in the architecture of Mycenaean civilization. almost no living (except mosaics) antediluvian Hellenic massive machination, including pictorial matters and stain forms hrizoelefantinnoy mostly laid the temperament of the percept of real and Hellenistic sculpture and architecture.\nIn antediluvian patriarch Rome, in particular afterwards the roman architectural revolution, was distributed solo widely, including - in the number of hole-and-corner(a) homes. arial mosaic and fresco, is widely utilise in synagogue architecture of Byzantium, had a fateful mould on the ripening of ancient massive art.\nIn the art of the European affectionateness Ages deserves e peculiar(a)(a) heed unparalleled using of stain crank art. principal know of the Renaissance created many a(prenominal) kibibyte in ambit and skilled frescoes by execution.\n great(p) works of monumental mental picture remained from pre-Columbian civilizations in the Americas (including Maya). In the art of the furthest easterly civilizations monumental word picture occupies a special place, cosy link with the ornamental painting (art of Japan).\nIn current monumental painting actively develops new materials and stained glass mosaics. In the painting exceptionally heavy(p) and requires good virtuosity fresco technique gives focussing to a secco (on ironic plaster), to a greater extent unchangeable in the cash machine of ripe cities. '